Pablo Pijnappel

  • Narrowcast: Reframing Global Video 1986/2008

    September 25 – November 23, 2008
    Pitzer College Art Galleries

    Lynn Blumenthal, Juan Downey, Antonio Muntadas, Marshall Reese, Michael Smith, Bill Viola, Natalie Bookchin, Mark Boulos, Regina Jose Galindo, Pablo Pijnappel, Artur Zmijewski

    Curated by Ciara Ennis and Ming-Yuen S. Ma as part of Resolution 3: Video Praxis in Global Spaces

    Pitzer Art Galleries & LACE present Narrowcast: Reframing Global Video 1986/2008 curated by Pitzer Art Galleries Director/Curator Ciara Ennis and Associate Professor of Media Studies Ming-Yuen S. Ma. The exhibition is part of Resolution 3, a collaboration between Pitzer College’s Media Studies program, Pitzer Art Galleries and LACE on the occasion of LACE’s thirtieth anniversary.

    Narrowcast re-presents selected works from LACE’s seminal 1986 video exhibition Resolution: A Critique of Video Art and pairs them in compelling and unexpected ways with contemporary works, thus framing the medium’s brief history both formally and thematically. Resolution was one of the first exhibitions in the United States to embrace video as a serious art form and to discuss it in critical terms. Revisiting Resolution in relation to a number of exceptional contemporary video works demonstrates the influence that video art has had on artistic practice over the past two decades and testifies to the pivotal role and ubiquitous presence that the medium has in the contemporary global art world.

    The ten selected artists in Narrowcast—five historical: Lyn Blumenthal, Juan Downey, Antonio Muntadas in collaboration with Marshall Reese, Michael Smith, Bill Viola and five contemporary: Natalie Bookchin, Mark Boulos, Regina José Galindo, Pablo Pijnappel, Artur Zmijewski—re-present Resolution in a way that emphasizes resonance and precedence rather than a comprehensive survey. And while the selected works, one from each artist, do not fit into neat categories, Curators Ennis and Ma have found historically significant connections that highlight the multi-layered and fragmented narratives inherent in both the archival and contemporary works.

    Separated into five loose categories—embroidered narratives, autobiographical confessionals, restaging histories, documentary and reportage, trance and ritual—the works in Narrowcast reframe content as well as formal strategies that are as relevant in 1986 as it is now, thereby reflecting the range and inventiveness of the non-traditional narrative structures central to these artist’s works.



    Tags: , , , , , , , , , , , , , , , , , , ,