Ashley Hunt, Degrees of Visibility (installation view)
September 14 – December 6, 2019
Opening Reception: September 14 from 2–4 p.m.
Ashley Hunt’s current project, Degrees of Visibility, is a large body of landscape photographs made in locations throughout the fifty U.S. states and territories, which documents the spaces in which prisons are embedded. Observed from publicly accessible points of view, Hunt’s photographs look at how prisons are presented and camouflaged within our everyday perception and how they contribute to an aesthetics of mass incarceration.
This body of work is part of Hunt’s ongoing examination of how images, objects, maps, writing and performance can engage social ideas and actions, including those of social movements, daily life, the exercise of political power, and the disciplinary boundaries that separate our art worlds from the larger worlds in which they sit. His work looks to structures that allow people to accumulate power, and those which keep others from getting it, while learning from the ways people come to know, contribute to or resist these structures. Rather than seeing art and activism as two exclusive spheres of practice, he approaches them as mutual and complementary—drawing upon the ideas and aesthetics of social movements, cultural theory and art alike, the theorizing and practices of each informing the other.
Recent exhibitions and performances include the performance and book, Notes on the Emptying of a City, a dismantled film that recounts his time in New Orleans after Hurricane Katrina; Communograph, a multi-platform project with Project Row Houses in Houston; the ongoing collaboration with taisha paggett, On Movement, Thought and Politics; the collaborative 9 Scripts from a Nation at War, produced for documenta 12 with Andrea Geyer, Sharon Hayes, Katya Sander and David Thorne; and the Corrections Documentary Project, the ongoing body of work addressing the aesthetics and politics of prison expansion and mass incarceration in the U.S., including ten video works, photographic works and mappings that span sixteen years of research, production and organizing.
Additionally, Hunt has exhibited at the Cue Art Foundation, Threewalls Gallery in Chicago, The Kitchen in New York, the 2012 Made in L.A. Biennial of the Hammer Museum, Sinopale 4 biennale in Sinop, Turkey, the Museum of Modern Art in New York, the Tate Modern in London, Woodbourne State Correctional Institute in upstate New York, Putnamville Correctional Institution in Indiana, and numerous grassroots and community venues throughout the U.S. Recent writing has appeared in X-TRA Contemporary Art Quarterly (2014), Native Strategies issue 4 (2014), Shifter Magazine #20 (2013).
Hunt is on the faculty of California Institute of the Arts and was on the faculty of the Visual Arts MFA program at Vermont College of Fine Arts 2008–2016.
Last modified by Laurie Babcock, on September 13, 2019.