Pitzer College Art Galleries

February 21, 2014 Pitzer College Art Galleries exhibition Andrea Bowers: #sweetjane, co-organized with Pomona College Museum of Art
Inland Valley Daily Bulletin

February 18, 2014 Pitzer College Art Galleries exhibition Andrea Bowers: #sweetjane, co-organized with Pomona College Museum of Art
Los Angeles Times

February 7, 2014 Pitzer College Art Galleries exhibition Andrea Bowers: #sweetjane, co-organized with Pomona College Museum of Art
The Student Life

February 7, 2014 Pitzer College Art Galleries Exhibition Arthur Dubinksy: The Life and Times of Pitzer College
The Student Life

February 6, 2014 Pitzer College Art Galleries exhibition Andrea Bowers: #sweetjane, co-organized with Pomona College Museum of Art

January 24, 2014 Pitzer College Art Galleries exhibition Andrea Bowers: #sweetjane, co-organized with Pomona College Museum of Art
Visual Art Source

January 21, 2014 Pitzer College Art Galleries exhibition Andrea Bowers: #sweetjane, co-organized with Pomona College Museum of Art

January, 2014 Pitzer College Art Galleries exhibition Andrea Bowers: #sweetjane, co-organized with Pomona College Museum of Art
Art Scene

September, 2013 Pitzer Art Galleries exhibition GLPYHS: Acts of Inscription
Inland Empire Weekly

March, 2013 Pitzer Art Galleries exhibition Joyce Campbell: Te Taniwha/Crown Coach
Art in America

March, 2013 Pitzer Art Galleries exhibition Joyce Campbell: Te Taniwha/Crown Coach
Art in America

February 07, 2013 Pitzer Galleries exhibition Martha Wilson
Inland Empire Weekly

Nov/Dec 2012 Pitzer Art Galleries exhibition In the Shadow of Numbers: Charles Gaines Selected Works from 1975-2012, co-organized with Pomona College Museum of Art

October 2012 Pitzer Art Galleries exhibition In the Shadow of Numbers: Charles Gaines Selected Works from 1975-2012, co-organized with Pomona College Museum of Art
Notes on Looking

October 2012 Pitzer Art Galleries exhibition Joyce Capbell: Te Taniwha/Crown Coach
Notes on Looking

June/July 2012 Pitzer Art Galleries exhibition Liz Glynn: No Second Troy

April 2012 Pitzer Art Galleries exhibition Liz Glynn: No Second Troy

February 2012 Pitzer Art Galleries exhibition Matthew R. Ohm: Vanitas
Tropo Mfg

February 2012 Pitzer Art Galleries exhibition Liz Glynn: No Second Troy
Art Scene

January 14, 2012 Pitzer Art Galleries exhibition Liz Glynn: No Second Troy

November/December, 2011 Pitzer Art Galleries exhibition Synthetic Ritual
LA Weekly

November/December, 2011 Pitzer Art Galleries Perpitube: Repurposing Social Media Spaces
Artillery Magazine

October 20, 2011 Pitzer Art Galleries Synthetic Ritual
Inland Valley Daily Bulletin

September 27, 2011 Pitzer Art Galleries exhibition Synthetic Ritual
Huffington Post

September 09, 2011 Pitzer Art Galleries exhibition Synthetic Ritual

FALL 2014

Racial Imaginary

Nichols Gallery

September 20 – December 5, 2014

Racial Imaginary

Amitis Motevalli
Confiscated Portrait of the Artist as a Young Rebel (2005/2010)
Digital C-print
Dimensions variable

Racial Imaginary is an interdisciplinary exhibition that looks at the intersection of poetry, prose and contemporary art. It is a further iteration of the book and will feature the visual artists who have struggled alongside their literary counterparts in constructing a creative discourse that focuses on its subjects not as objects, of individual outlines discernable apart from the overwhelming contrast of their landscape. The creative imagination is framed by its palpable confines; the history of women is primarily written in relationship to men, of Blacks (and others) in relation to Whiteness. How does an artist—literary, visual, performative—contrive a vernacular that is rich and evocative but doesn’t reproduce familiar narratives and binaries?

The show forms part of a larger project that includes a book of the same title edited by award-winning poet Claudia Rankine, who just received the prestigious Jackson Poetry Prize for exceptional US poets, and author Beth Loffreda from the University of Wyoming. The book examines race, gender and cultural representations, and comprises poems and essays, which have been further articulated through the addition of artworks, curated into the book, by artist, Max King Cap.

Artists: Liz Cohen, Edgar Endress, EJ Hill, Todd Gray, John Jota Leaños, Nery Gabriel Lemus, Charles McGill, Amitis Motevalli, Dread Scott, Alice Shaw, Kyungmi Shin, Texist, Ian Weaver and Jay Wolke

Racial Imaginary

Edgar Endress
Still from Acts of Erasure nº2 (2014)
00:55 min.

Opening Reception

Saturday, September 20, 2-4 p.m.
Nichols Gallery

Artist Lecture

Thursday, October 16, 11 a.m.
Nichols Gallery

Artist Amitis Motevalli will join Professor Bill Anthes and his First Year Seminar students to discuss her work.

The Annual Murray Pepper & Vicki Reynolds Pepper Distinguished Visiting Artist & Scholar Lecture Series

Monday, November 10, 4:15 p.m.
George C.S. Benson Auditorium

In conjunction with the exhibition, Claudia Rankine will discuss her book Racial Imaginary with co-editors, Beth Loffreda and Max King Cap.

 “Art in Writing” workshop led by Claudia Rankine, Beth Loffreda and Max King Cap

Tuesday, November 11, 11 a.m.

All events are free and open to the public.

About the Artists

Racial Imaginary

Alice Shaw
Opposite #5 (2007)
Gold toned gelatin silver print
Diptych, 8 x 10 in. each

Claudia Rankine is the author of four collections of poetry, including Don’t Let Me Be Lonely and the plays, Provenance of Beauty: A South Bronx Travelogue (co-authored with Casey Llewellyn). Rankine is co-editor of American Women Poets in the Twenty-First Century series (Wesleyan University Press). Forthcoming in 2014 are That Were Once Beautiful Children (Graywolf Press) and The Racial Imaginary (Fence Books). A recipient of fellowships from the Academy of American Poets and the National Endowment for the Arts, Rankine teaches at Pomona College.

Liz Cohen's performance art/photography has been shown extensively throughout the US and Europe. Cohen is represented by Salon 94, Galerie Laurent Godin and David Klein Gallery. She is an artist-in-residence at the Cranbrook Academy of Art.  

Edgar Endress teaches new media and public art at George Mason University. Born in Chile, he has exhibited extensively throughout the Americas. His work focuses on syncretism in the Andes, displacement in the Caribbean and mobile art-making practices. He received his MFA in Video Art from Syracuse University. He has received grants and fellowships from numerous institutions, including the Virginia Museum of Fine Arts and the Creative Capital Fund.

EJ Hill is a performance artist who continually struggles with the complexity of the body's cultural and historical inheritances and implications. A native of South Central Los Angeles, Hill’s work has been exhibited throughout the US and internationally. He received his MFA from the University of California, Los Angeles.

Todd Gray is a professor of art at California State University, Long Beach. Gray has shown his work throughout the US and internationally. He is represented in the permanent collections of the National Gallery of Canada; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; MOCA, Los Angeles; University of Parma  in Italy; and other collections. He received his BFA and MFA from California Institute of the Arts.

John Jota Leaños is a social art practitioner who utilizes a range of media focusing on the convergence of memory, social space and decolonization. His work has been shown at the Sundance 2010 Film Festival and the 2002 Whitney Biennial, among others. Leaños is a Creative Capital Grantee and a Guggenheim Fellow (2013) who has been an artist-in-residence at many institutions. Leaños is an associate professor of social documentation at the University of California, Santa Cruz.

Nery Gabriel Lemus is a Los-Angeles based artist whose work addresses issues of stereotype and immigration, the intersection of racial and dissociative racism; and the poverty, abuse and neglect that can lead to the failure of families. Lemus is a recipient of a COLA Fellowship Grant from the Department of Cultural Affairs, Los Angeles, and the Rema Hort Mann Foundation Fellowship Award. He is represented by Charlie James Gallery in Los Angeles. Lemus received his BFA at Art Center College of Design in Pasadena and his MFA at the California Institute of the Arts. He also attended the Skowhegan School of Painting and Sculpture in Maine.

Charles McGill is a multidisciplinary artist whose work has been exhibited in the US and Europe and has been reviewed in The New York Times and Art in America. A recipient of the 2014 recipient of the distinguished Pollock Krasner Foundation Grant, an Art Matters and New York Foundation for the Arts grant, as well as fellowships from the Ford Foundation and the Virginia Center for the Creative Arts, he is a former artist-in-residence at the Museum of Arts and Design in New York. McGill received an MFA from the Maryland Institute College of Art and is is an Assistant Professor at The Borough of Manhattan Community College in in NYC. He is represented by Pavel Zoubok Gallery in New York.

Amitis Motevalli was born in Iran and moved to the US in 1977, prior to the revolution. She explores the cultural resistance and survival of people living in poverty, conflict and war. Her working-class immigrant background drives her art that contests stereotypical beliefs about people living in diaspora and criticizes of the violence of dominance and occupation, while invoking the significance of secular grassroots struggle. Motevalli works with transnational Muslims, across economic and political borders, to create an active and resistant cultural discourse. She lives and works in Los Angeles.

Dread Scott makes revolutionary art to propel history forward. In 1989, the entire US Senate denounced his artwork and President George H. Bush declared it “disgraceful” because of its use of the American flag. His work is exhibited in the US and internationally. A recipient of a Creative Capital Grant, his work is included in the collection of the Whitney Museum of American Art.

Alice Shaw is an artist and educator based in San Francisco, CA. Her photographs have been shown internationally. Shaw is represented by Gallery 16 in San Francisco. A graduate of the San Francisco Art Institute and a recipient of a 2002 Artadia Award, Shaw often infuses personal/reflexive documentation with humor and poignancy. She has practiced photography for more than 25 years and she has been a visiting lecturer at University of California, Davis, University of California, Santa Cruz, University of California, Berkeley, San Francisco State University, The California College of Art and The San Francisco Art Institute. Her book, People Who Look Like Me, was published in April of 2006.

Kyungmi Shin, a sculptor and an installation artist, has received grants from the California Community Foundation, Durfee Grant, Pasadena City Individual Artist Fellowship and LA Cultural Affairs Artist-in-Residence program. Since 2004, she has created numerous public art projects across the nation, including Los Angeles, CA, Winston-Salem, NC, Chicago, IL, and Norfolk, VA. She received her MFA from UC Berkeley.

Ian Weaver is a Chicago-based visual artist and teaches in South Bend, IN. He received his MFA in Visual Art from Washington University in St. Louis and his work has been seen at many museums. He has been a recipient of numerous residencies, including Yaddo and the Millay Colony, and his awards include grants from Artadia and the Joan Mitchell foundations.

Jay Wolke is an artist and educator living in Chicago. He has authored three photographic monographs, including most recently Architecture of Resignation: Photographs from the Mezzogiorno (Center for American Places– Columbia College Press, 2011). Wolke earned his BFA at Washington University, St. Louis and his MS at IIT Institute of Design. His photographs are in many permanent collections. He is a professor and chair of the Art and Design Department, Columbia College, Chicago.


Takuji Kogo & Mike Bode / American Sitcom

A *candy factory project
September 20 – December 5, 2014
Lenzner Family Art Gallery


Sill from American Sitcom(2014)

American Sitcom is a new site-specific work by Takuji Kogo and Mike Bode of Candy Factory made for Pitzer College Art Galleries. A multi-channel video installation, American Sitcom uses text animations of transcriptions of monologues taken from online V-loggers’ videos that have been uploaded to YouTube. The artists’ subjects cover such disparate ground as divorce experiences, porn addiction and commentaries from people wanting to join the Air Force. These text animations have been overlaid onto animated backgrounds which have been adapted from online sources such as GIF animations, desktop designs, forum avatars, furry toys and cartoons, many of which carry references to pop art, wallpaper designs, and various forms of popular culture. The resulting work is both visually stunning and at the same time disarmingly familiar. American Sitcom asks the audience to consider how we engage with cyber culture, specifically, what kinds of online environments do we inhabit? Who are we talking to when we upload a testimonial and, what kind of visual languages do we use? 

Mining the Internet for visual and domestic content, Kogo and Bode have meticulously animated transcriptions of voices—word for word—using flash-based software. Although American Sitcom employs “real” peoples’ monologues it is not a documentary work, instead it uses and re-uses everyday online media as material. American Sitcom is presented as a multi-channel installation in the gallery space and uploaded to YouTube and distributed online. 

Opening Reception

Saturday, September 20, 2-4 p.m.
Nichols Gallery

Artist lecture in conjunction with the exhibition and Pitzer College’s Munroe Center for Social Inquiry (MCSI) event:

Tuesday, September 16, 4 p.m.
Kallick Gallery, West Hall

Artists Takuji Kogo and Mike Bode will discuss their works on this year’s MCSI lecture series, themed: Virus: Mindless, Efficient and without Morals.

All events are free and open to the public.

About the Artists

Japan-based artist Takuji Kogo is the organizer of Candy Factory Projects. He has produced a large body of work both as a solo artist and in various collaborations. His ongoing solo project NON_SITES is a series of photo-sculptures, digital kaleidoscopes made by looped and mirrored sequence shots taken from moments of standardized everyday life environments. He has presented his work at MediaScope-MOMA/The Museum of Modern Art, New York; Media City Seoul, South Korea; Singapore Art Museum; MAAP Multimedia Art Asian Pacific, Beijing; Walker Art Centre, Minneapolis; Yokohama Triennale, Japan; Nam June Paik Art Centre, Seoul, South Korea; and the Tokyo Metropolitan Museum of Photography. Takuji Kogo is the director of the Art Institute Kitakyushu, which organizes the Kitakyushu Biennial, and lives in Fukuoka, Japan.

Mike Bode is a visual artist and researcher based in Sweden. He is presently working on a research project Re-configuring actuality, which is an enquiry into the construction and configuration of material taken from online media. He is also developing a discursive platform in Stockholm with the publisher Max Valentin called PLASMODIA, which organizes talks, discussions, presentations and exhibitions with the aim of critically exploring new media and the use of new technologies and their contextualization in documentary art practice. He received a PhD at the University of Gothenburg in 2008 and has presented and exhibited work at Kunst Werke in Berlin; The Rooseum in Malmö; The Center of Contemporary Art in Vilnius, Lithuania; The Nobel Museum in Stockholm; Secession in Vienna and the Kitakyushu Biennial in Japan. He has been a member of *candy factory projects since 2001. Mike Bode is based in Stockholm.



January – March 2015
Nichols Gallery, Broad Center

The wunderkammer, generally regarded as a prototype for the first museums, provides an alternative to conventional museums today, which have inherited the 18th century model. Distinguished by their eclectic and all-encompassing collections, these early museums celebrated heterogeneity and difference as accolades—objects collected ranged from functional everyday artifacts to biological anomalies. Their interdisciplinary and all-inclusive practice resulted in a non-hierarchical approach; value was assigned according to the object’s polyvalent signifying power, its ability to be endlessly interpreted rather then categorically determined. As their name suggests, these museums championed wonderment as a vital tool for knowledge acquisition. By providing a different rubric, these early models can offer an alternative lens through which to critique prevailing exhibitionary practices by calling attention to the conventions of museological displays—didactics, vitrines, chronological and white cube presentations.

Jenny Yurshansky: Blacklisted: A Planted Allegory


Blacklisted: A Planted Allegory (Incubation), 2014

January - March 2015

The Lenzner Family Art Gallery

Artist-in-residence Jenny Yurshansky is currently on-site at Pitzer College conducting active field research for her upcoming exhibition, Blacklisted: A Planted Allegory. Yurshansky is collecting, studying and researching plants found on the campuses of The Claremont Colleges and affiliated institutions. Restricting her investigation to vegetation classified as invasive by the California Invasive Species Advisory Committee (CISAC)—a scientific organization charged with creating a statewide “living list” of invasive species since late 2009—Yurshansky will determine which “so-called” invasive species have infiltrated this highly local site. 

Blacklisted: A Planted Allegory investigates the distinction between native versus invasive species as determined by the CISAC. The discourse surrounding a list of “invasive” or “alien” flora species has interesting and fruitful correlations to policies regarding immigration, multiculturalism and evolving ideas about national identities that are inherently tied to the identity of border cultures and a location that has carried the name of a number of nations through the historical record. The project allows viewers to engage in a meaningful and nuanced way with how these issues are thought of, in direct and applicable terms. 

Opening in January 2015, Blacklisted: A Planted Allegory will take a number of forms including a comprehensive index of the invasive species found on-site, a large-scale projection—a portrait of all the plants collected and a record of their growth during the month of June 2014—and a light box image of their incubated sequestration.  The exhibition will also feature two sculptural works, one of which is an index of the more than one hundred plants collected, in the style of a classic botanical herbaria rendered in detailed handmade paper silhouettes.  The second sculpture refers to the Harvard Natural History Museum’s Ware Collection of Blaschka Glass Models of Plants, which is a window into the common presence in 1892 of what are now rare California native plants. This piece, which features a seemingly empty vitrine, is a nod to the fears of the ultimate disappearance of natives in the wake of the encroachment by alien species that fuels the discourse around this issue.

Blacklisted: A Planted Allegory­ has been produced with support by Konstnärsnämnden / Swedish Arts Grant Committee. 

The exhibition is also generously supported by the GuestHaus Residency, Kungliga Konsthögskolan / Stockholm Royal Institute of Art, and art+environment – an interdisciplinary program at Pitzer College funded by the Andrew W. Mellon Foundation.

With very special thanks to:

Pitzer College
-Joe Clements, Arboretum and Grounds Manager, Pitzer College
-Ciara Ennis, Director/Curator, Pitzer College Art Galleries
-Dr. Paul Faulstich, Professor of Environmental Analysis, Pitzer College
-Nicolas Galindo, Lead Groundskeeper, Pitzer College
-Cheukwa Jones, Curatorial/PR Coordinator, Pitzer College Art Galleries
-Rachel Kessler ’14, Assistant to the artist, Pitzer College
-Dr. Muriel Poston, Vice President/Dean of Faculty, Pitzer College
-Lance Neckar, MLA, MALA, Director, Robert Redford Conservancy for Southern
 California Sustainability and Professor of Environmental Analysis, Pitzer College
-Angelica Perez, Preparator, Pitzer College Art Galleries

Pomona / BFS
-Dr. Wallace M. Meyer III, Assistant Professor of Biology, Pomona College and Director of the Bernard Field Station, Claremont, CA
-Ronald Nemo, Lead Groundskeeper, Pomona College

Harvey Mudd / BFS
Dr. Nancy V. Hamlett, Visiting Professor of Biology, Harvey Mudd College; Volunteer Researcher and Habitat Coordinator at the Bernard Field Station, Claremont, CA

Claremont College
Dr. Susan M. Schenk, Biology Laboratory Instructor/Coordinator and Lab Lecturer of Biology, W.M. Keck Science Department, Claremont Colleges

Scripps College
-Fred Carlson, Lead Groundskeeper, Scripps College
-Lola Trafecanty, Director of Grounds, Scripps College
-Liv Townsend ’14, Documentation Photographer, Scripps College

Rancho Santa Ana Botanic Garden
-Dr. J. Travis Columbus II, Research Scientist; Professor of Botany, Claremont Graduate University
-Nick Jensen, Master’s Student, Claremont Graduate University Botany Department
-Dr. Evan P. Meyer, Seed Conservation Program Manager, Rancho Santa Ana Botanic Garden
-Dr. Jeffery Morawetz, Postdoctoral Researcher, Rancho Santa Ana Botanic Garden
-Dr. Mare Nazaire, Herbarium Collections Manager, Rancho Santa Ana Botanic Garden
-Irene Holiman, Library Specialist, Rancho Santa Ana Botanic Garden

Other affiliations
-Jenny Brown, Collection Manager, Ware Collection of Blaschka Glass Models of Plants, Harvard University Herbaria
-Dr. Peter Del Tredici, Senior Research Scientist, Arnold Arboretum of Harvard
 University and Adjunct Associaate Professor of Landscape Architecture, Harvard Graduate School of Design
-Lisa DeCesare, Head of Archives and Public Services, Botany Libraries, Harvard University Herbaria
-Mary Anne Hamblen, Special Collections & Archives Librarian, Juliette K. and Leonard S. Rakow Research Library, The Corning Museum of Glass
-Dr. Chris MacDonald, Desert Natural Resources Advisor of Cooperative Extension San Bernardino County, University of California Division of Agriculture and Natural Resources
-Robert Perry, FASLA, USC School of Artchitecture Adjunct Professor, Professor Emeritus at California State Polytechnic University
-Nisreen Azar, Habitat Restoration Specialist at Glenn Lukos Associates, Inc.
-Noreen Murano, President of Wildscape Restoration, Inc. and the CEO of Resource Conservation Partners, Inc.
-Bill Neill, Desert Protective Council
-Drew Ready, Sustainable Landscape Program Manager at the Council for Watershed Health