English and World Literature
Through the aesthetic, historical, and theoretical dimensions of literature we learn to read other lives and our own. We learn those lessons best when the literature we study includes the voices of a diverse array of writers and when we are responsive to the ways in which such voices and texts change our conceptions of art, culture and society. Literature stirs us and is stirred by us; it is not something to be experienced at arm’s length. For this reason, we encourage our students to practice becoming engaged readers and writers of literature.
We also encourage our students to explore other disciplines, in order to broaden the sources for developing their own writing and critical thinking skills. Abilities gained in coursework are essential for other academic disciplines, are indispensable for graduate study as well as for careers in many fields (for instance, art, law, journalism, education, nonprofit and non-governmental organizations, business, advertising, and creative and professional writing). Students may choose from two tracks: Literature or Creative Writing.
Pitzer Advisers: B. Armendinger, S. Bhattacharya, L. Harris, M. Hidalgo.
The English and World Literature: Literature Track at Pitzer
Coursework on the Literature track is designed to develop and improve the student's capacity to engage in meaningful interpretation, creative writing, analytical thought and aesthetic appreciation. Majors and non-majors alike will have the opportunity to gain an awareness of the intellectual and historical contexts of literature while they work to achieve skillful written and oral expression, and to refine critical thinking skills.
The English and World Literature: Creative Writing Track at Pitzer
We believe that student work has meaningful literary and intellectual value, and we foster a supportive community of writers among our students. Through writing exercises, workshops, and intensive reading, students begin to take creative risks in their own writing. The aim of the writer is not to make a precise replica of experience, not to degrade the world in such a way, nor its ever-changing nature, but to build a door. If we are lucky, our readers walk through that door, arriving at a room we could never have predicted alone.