February 07, 2013
Pitzer Galleries exhibition Martha Wilson
Inland Empire Weekly
Nov/Dec 2012
Pitzer Art Galleries exhibition In the Shadow of Numbers: Charles Gaines Selected Works from 1975-2012, co-organized with Pomona College Museum of Art
artillery
October 2012
Pitzer Art Galleries exhibition In the Shadow of Numbers: Charles Gaines Selected Works from 1975-2012, co-organized with Pomona College Museum of Art
Notes on Looking
October 2012
Pitzer Art Galleries exhibition Joyce Capbell: Te Taniwha/Crown Coach
Notes on Looking
June/July 2012
Pitzer Art Galleries exhibition Liz Glynn: No Second Troy
Artillery
April 2012
Pitzer Art Galleries exhibition Liz Glynn: No Second Troy
ArtForum
February 2012
Pitzer Art Galleries exhibition Matthew R. Ohm: Vanitas
Tropo Mfg
February 2012
Pitzer Art Galleries exhibition Liz Glynn: No Second Troy
Art Scene
January 14, 2012
Pitzer Art Galleries exhibition Liz Glynn: No Second Troy
Artweek.LA
November/December, 2011
Pitzer Art Galleries exhibition Synthetic Ritual
LA Weekly
November/December, 2011
Pitzer Art Galleries Perpitube: Repurposing Social Media Spaces
Artillery Magazine
October 20, 2011
Pitzer Art Galleries Synthetic Ritual
Inland Valley Daily Bulletin
September 27, 2011
Pitzer Art Galleries exhibition Synthetic Ritual
Huffington Post
September 09, 2011
Pitzer Art Galleries exhibition Synthetic Ritual
ArtLA
July 17, 2011
Pitzer Art Galleries Perpitube: Repurposing Social Media Spaces
Claremont Courier
July 7, 2011
Pitzer Art Galleries Perpitube: Repurposing Social Media Spaces
Inland Empire Weekly
April 8, 2011
Pitzer Art Galleries exhibition Kimball 1901-
89.3 KPCC NPR
March 23, 2011
Pitzer Art Galleries' Worker
Inland Valley Daily Bulletin
March 02, 2011
Pitzer Art Galleries' Worker
Artillery Magazine
February 21, 2011
Pitzer Art Galleries' KIMBALL 1901-
Artweek.LA
February 15, 2011
Pitzer Art Galleries exhibition Worker
89.3 KPCC NPR
November 02, 2010
Pitzer Galleries "Bas Jan Ader: Suspended Between Laughter and Tears"
Los Angeles Times
October 07, 2010
Pitzer Galleries' "Bas Jan Ader: Suspended Between Laughter and Tears"
Inland Empire Weekly
March 04, 2010
Pitzer Galleries' "Localization, Location, Ubicación"
Inland Empire Weekly
February 11, 2010
Pitzer Galleries' "Capitalism in Question"
Inland Empire Weekly
October 2009
Pitzer Galleries' "This Land is Your Land"
Inland Empire Weekly
October 2009
Pitzer Galleries' Veronica
Inland Empire Weekly
09.30.09
Nuttaphol Ma's "This Land is Your Land"
The Student Life
August 2009
Karen Lofgren's Gold Flood
ARTFORUM
08.13.09
Pitzer Galleries exhibition "Babel: the Chaos of Melancholy"
KPCC 89.3
07.30.2009
Pitzer Galleries' Artist-in-Resident, Karen Logren, and exhibition "Gold Flood"
IE Weekly
07.16.2009
Pitzer Galleries exhibition "Babel: the Chaos of Melancholy"
IE Weekly
07.07.2009
Pitzer Gallery installation, "Babel: The Chaos of Melancholy," on KPCC 89.3
KPCC 89.3
05.02.2009
Life experiences give Marks a creative edge
Claremont Courier
03.05.2009
Delivering Ransom: An interview with Pitzer's Emerging Artist-in-Residence, William Ransom
IE Weekly
01.31.2009
Natural Art. Lenzner Family Gallery hosts exhibition by Pitzer College's first artist-in-residence
Claremont Courier
Lyn Blumenthal, Juan Downey, Antonio Muntadas in collaboration with Marshall Reese, Michael Smith, Bill Viola, Natalie Bookchin, Mark Boulos, Regina Jose Galindo, Pablo Pijnapple, Artur Zmijewski
Curated by Ciara Ennis and Ming-Yuen S. Ma as part of Resolution 3: Video Praxis in Global Spaces
Pitzer Art Galleries
Nichols Gallery, Broad Center & Lenzner Family Art Gallery, Atherton Hall
Opening reception: Thursday, September 25, 2008, 6-8 p.m.
LACE (Los Angeles Contemporary Exhibitions)
6522 Hollywood Boulevard, Los Angeles, CA 90028
Opening Reception: Tuesday, December 9, 2008, 7-9 p.m.
Pitzer Art Galleries & LACE present Narrowcast: Reframing Global Video 1986/2008 curated by Pitzer Art Galleries Director/Curator Ciara Ennis and Associate Professor of Media Studies Ming-Yuen S. Ma. The exhibition is part of Resolution 3, a collaboration between Pitzer College's Media Studies program, Pitzer Art Galleries and LACE on the occasion of LACE's thirtieth anniversary.
Narrowcast re-presents selected works from LACE's seminal 1986 video exhibition Resolution: A Critique of Video Art and pairs them in compelling and unexpected ways with contemporary works, thus framing the medium's brief history both formally and thematically. Resolution was one of the first exhibitions in the United States to embrace video as a serious art form and to discuss it in critical terms. Revisiting Resolution in relation to a number of exceptional contemporary video works demonstrates the influence that video art has had on artistic practice over the past two decades and testifies to the pivotal role and ubiquitous presence that the medium has in the contemporary global art world.
The ten selected artists in Narrowcast—five historical: Lyn Blumenthal, Juan Downey, Antonio Muntadas in collaboration with Marshall Reese, Michael Smith, Bill Viola and five contemporary: Natalie Bookchin, Mark Boulos, Regina José Galindo, Pablo Pijnappel, Artur Zmijewski—re-present Resolution in a way that emphasizes resonance and precedence rather than a comprehensive survey. And while the selected works, one from each artist, do not fit into neat categories, Curators Ennis and Ma have found historically significant connections that highlight the multi-layered and fragmented narratives inherent in both the archival and contemporary works.
Separated into five loose categories—embroidered narratives, autobiographical confessionals, restaging histories, documentary and reportage, trance and ritual—the works in Narrowcast reframe content as well as formal strategies that are as relevant in 1986 as it is now, thereby reflecting the range and inventiveness of the non-traditional narrative structures central to these artist's works.
Gallery Hours
Tuesday-Friday from Noon-5 p.m. and by appointment
Contact: (909) 607-3143, pitzer_galleries@pitzer.edu
For more information please contact Anna Mendoza, curatorial/PR assistant, Pitzer Art Galleries, Pitzer College at
(909) 607-8797, Fax: (909) 607-7880 or e-mail anna_mendoza@pitzer.edu.
About Pitzer College
Pitzer College is a nationally top ranked undergraduate college of the liberal arts and sciences. A member of The Claremont
Colleges, Pitzer offers a distinctive approach to a liberal education by linking intellectual inquiry with interdisciplinary
studies, cultural immersion, social responsibility and community involvement.
About Pitzer Art Galleries
Pitzer Art Galleries exists to provide visually arresting and memorable exhibitions that promote the value and understanding
of contemporary art within a local, national and international context. The Galleries are comprised of two sites, the Nichols
Gallery—committed to solo and group exhibitions by national and international artists both emerging and established—
and the Lenzner Family Art Gallery—a space for risk and experimentation dedicated to emerging artists working in all media.
Through curatorial creativity and visionary programming Pitzer Art Galleries seeks to provide context, support and a critical framework
for artists and curators working today and by doing so inspire meaningful dialogue that fascinates, inspires and invigorates.
About Los Angeles Contemporary Exhibitions (LACE)
Since 1978, LACE has maintained an unwavering commitment to
innovation in the visual arts. LACE presents and supports a variety of
projects each season, including exhibitions, performances, publications, discussions, screenings, and public art works. For three decades
and counting, LACE has presented the work of over 5,000 artists in over
3,000 programs and events LACE's programming is either free or
low-cost, making it accessible to all audiences. For more information please visit www.welcometolace.org.
LACE Media contact: Carol Stakenas: (323) 957-1777 ext. 15,
carol@welcometolace.org.
Narrowcast: Reframing Global Video 1986/2008 and Resolution 3 are funded through the generous support from The Andy Warhol Foundation for the Visual Arts, the City of Los Angeles, Department of Cultural Affairs, The Getty Foundation, Intercollegiate Media Studies at The Claremont Colleges, The James Irvine Foundation, Jockey Hollow Foundation, Los Angeles County Arts Commission, Morris Family Foundation, the Pasadena Art Alliance, Pitzer College (Pitzer Art Galleries, Frederick J. Salathé Fund and Pitzer Summer Research Assistantship), Scripps Humanities Institute, Stone Brewing Co., and the members of LACE.
Michael Smith
Secret Horror (1980)
Single-channel video, color, sound
13:30 minutes
Courtesy of the artist and Long Beach Museum of Art Video Archive, Research Library, The Getty Researcy Institute. Transferred by the Long Beach Museum of Art Foundation and the City of Long Beach, 2005.
Regina José Galindo
Quien Puede Borrar Las Huellas (Who Can Remove the Traces) (2003)
Single-channel digital video
1:52 minutes
Courtesy of the artist
Lyn Blumenthal
Doublecross (1985)
Single-channel video, color, sound
8 minutes
Courtesy of the Lyn Blumenthal Estate
Artur Zmijewski
Game of Tag (1999)
Single-channel video, black-and-white, sound
3:50 minutes
Courtesy of the artist and Galerie Peter Kilchmann, Zurich
Antonio Muntadas in collaboration with Marshall Reese
Political Advertisement I, 1952-1984 (1984)
Single-channel video, black-and-white, sound
35 minutes
Courtesy of the artist and Long Beach Museum of Art Video Archive, Research Library, The Getty Researcy Institute. Transferred by the Long Beach Museum of Art Foundation and the City of Long Beach, 2005.
Mark Boulos
All that is Solid Melts into Air (2008)
Two-channel digital video installation
14:20 minutes
Funded by Arts Council England, London with the support of Film Longa Artists' Moving Image Network
Courtesy of the artist
Juan Downey
Shifters (1984)
Single-channel video, black-and-white and color, sound
28 minutes
Courtesy of the Juan Downey Estate